A SECRET WEAPON FOR SOUNDTRACK

I could publish with regards to the way Martin Scorsese leans on a heaping of new music from 1960s girl teams—the Crystals, the Shangri-Las, the Ronettes, Darlene Enjoy—in Goodfellas as a way to contrast a feminine innocence Using the hyper-masculine violence of his movie’s people. I could go on and on regarding the sonic tour de force that s